Storia di B. - La scomparsa di mia madre Streaming Mojo Online youtube megavideo

Storia di B. - La scomparsa di mia madre

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Duration - 94Minute / / User Rating - 7,9 / 10 stars / Release Year - 2019 / Beniamino Barrese / Storia di B. - La scomparsa di mia madre is a movie starring Carlotta Antonelli, Beniamino Barrese, and Benedetta Barzini. A once-iconic fashion model strives to escape the world of images and disappear for good, but her son's. Grazie a l'Italia e italiani grazie di cuore. احححح قلبي تقطع من دموعها وهمها. L A SCOMPARSA DI MIA MADRE Genere: Biografico. Regia di e con Beniamino Barrese, con Benedetta Barzini Benedetta Barzini in una scena di “La scomparsa di mia madre” Dentro e fuori da un sistema che per lei – modella, icona di grandi e grandissimi, poi docente di antropologia della moda e femminista –  ha al centro lo sfruttamento del corpo femminile. E dentro e fuori dal film che, amorevolmente ma tenacemente, il figlio Beniamino è deciso a girare su di lei. Benedetta Barzini, a 75 anni, desidera una cosa sola: scomparire. Ma leredità rappresentata dalla mole di immagini (che il film ripropone in un continuo andirivieni tra passato e presente, tra copertine di Vogue e riprese nella casa-caverna ingombra di merce e memorabilia) è un fardello ingombrante, impossibile da obliterare. Un film che lautore dichiara di aver fatto “con e contro” la madre, riluttante protagonista di un corpo a corpo fisico e verbale con locchio che sta dietro la macchina da presa. Uno scontro che ha lo scopo esplicito di ritardare la partenza delloggetto delladorazione per il luogo indefinito dove la donna che fu la musa di Andy Warhol e Salvador Dalì si dice diretta. Quanto seriamente dobbiamo prendere il desiderio di lei? E quanta verità cè nelluso che lui fa della macchina da presa come arma non convenzionale? La lotta per il controllo si chiude con un ex-aequo. Beniamino fotografa e filma Benedetta da quando era bambino. Lei posa e danza per lui unultima volta. Erano rivali, nemici, complici, amanti? LEGENDA: modesto * buono. ottimo. capolavoro.

The reeeeeeeeeee-views will be interesting. Rather see a doc on how violent and evil the left actually is not as the Media portrays them to be. What language is this. Wait this isn't a movie based on the video game 😩. Risultati della globalizzazione multimeculturale. Deport Bannon to Siberia. Io conoscevo benissimo la vicenda. Le stesse argomentazioni, Montanelli le ha esposte con lo stesso modo goliardico a Biagi nei primi anni '80, in un'intervista più completa. E Biagi stesso accondiscese con il collega alle sue visioni. Tra l'altro, Montanelli, capitano di uno squadrone indigeno, combattente in prima linea, non si accorse mai del fosgene e dell'iprite, che l'aviazione di Mussolini, spargeva sulle truppe e sulla popolazione inerme.

Bisogno di un centro di denuncia contro maltratammento della donna. mohammed si scappa anche al marocco la polizia marocchina capace di arrestarlo subito. dove sono le centre sociale e di che cosa si occupano. A Russian officer covering for a Nazi? After what they have been doing murdering millions in the ussr during war? And not to mention that if smth like that would be uncovered by Russian internal affairs services not only he would be prosecuted but very possibly all his family punished, because Stalin was not smb to joke with at all. It is an absurd plot twist making me question this movie in so many ways. It doesn't have a 100% on RT and some critics are angry - therefore that leads me to believe it has a chance of being objective and not another progressive/SJW hit-piece. So might be worth watching.

Questa sezione sull'argomento film è ancora vuota. Aiutaci a scriverla. Porco fascista. About Us, Terms of Use, Privacy Policy    2017–2020 Autotelics, LLC. All rights reserved. Il bello che lo raccontava anche con soddisfazione che schifo. Cinema Eye Honors: ‘American Factory, ‘Leaving Neverland Lead Winners 07 January 2020 Deadline American Factory took top honors at the 13th annual Cinema Eye Honors recognizing the best in documentary filmmaking, tonight at the Museum of the Moving Image in New York. A portrait of a once-closed Ohio factory bought by a Chinese billionaire, the Netflix release picked up awards for Outstanding Nonfiction Feature and Outstanding Direction for filmmakers Steven Bognar and Julia Reichert. CNN Films and Statement Pictures release, Apollo 11, a look at the first humans to land on the moon and return to Earth, also won two awards — Outstanding Editing for director/editor Todd Douglas Miller and Original Score for composer Matt Morton. Other winners included HBO s Leaving Neverland, Netflixs Homecoming: A Film by Beyoncé, and National Geographic s The Cave. In December, the State Department denied Syrian-born filmmaker Feras Fayyad, who helmed The Cave, a travel visa to enter the United States to support the film, as Deadline reported Saturday. See full article at Deadline » ‘American Factory Wins Top Award at Cinema Eye Documentary Awards by Chris Lindahl Indiewire “ American Factory ” won the top award at the Cinema Eye Honors for Nonfiction Filmmaking Monday night, and directors Steven Bognar and Julia Reichert were also honored for Outstanding Direction, for their documentary about a former General Motors plant that is given a second life by a Chinese manufacturer. The film was among several on the Oscars shortlist to win at the annual awards ceremony. “ American Factory, ” which follows the changes that take place in a Dayton, Ohio suburb as a result of the factorys change in ownership and examines the cultural clashes that come from a Chinese company opening up shop in the Us, has also won Critics Choice Documentary Awards for Best Political Documentary and Best Director, the Gotham Award for Best Documentary, and the International Documentary Association Award for Best Director. It also won the Directing Award at Sundance, where it premieired before being acquired by Netflix See full article at Indiewire » ‘American Factory Named Top Documentary at Cinema Eye Honors by Steve Pond The Wrap “ American Factory ” has been named the best documentary of 2019 at the 13th annual Cinema Eye Honors ceremony, which were presented on Monday evening in New York City. The film, executive produced by Barack and Michelle Obama s production company, Higher Ground Productions, and distributed by Netflix, is an examination of an Ohio glass factory that was taken over by a Chinese company in an uneasy cultural alliance. It prevailed in a category in which all six nominees — “ American Factory, ” “ Apollo 11, ” “For Sama, ” “ Honeyland, ” “ Midnight Family ” and “ One Child Nation ” — are also on the Oscars shortlist for documentary features. The “ American Factory ” directors, Steven Bognar and Julia Reichert, also won the award for Outstanding Direction. The Outstanding Production category resulted in a tie between two films set in Syria, “The Cave” and “For Sama. ” Also Read: For Sama' Is Named Top Doc at Ida Documentary Awards “ Honeyland ” won for cinematography, See full article at The Wrap » Filmgoing Frenzy About to Start at Palm Springs Film Festival 20 December 2019 by Nick Clement Variety With a focus on Italian films accompanying a large selection of international features, most of which are competing for Oscars, the 31st annual Palm Springs Intl. Film Festival will run Jan. 3-12. “ An Almost Ordinary Summer, ” directed by Simone Godano, will kick off the festival on Jan. 3. Other Italian films to unspool are “ The Champion, ” “Simple Women, ” “ The Disappearance of My Mother, ” “A Soul Journey, ” “ Martin Eden, ” “ Sole ” and “ The Traitor. ” The festival will close Jan. 12 with “ Military Wives, ” directed by Peter Cattaneo. Last year, Psiff attracted more than 136, 000 attendees and festival organizers anticipate just as many in 2020. “Some of our guests get a chance to see 40 movies in 10 days, ” says festival chairman Harold Matzner. “I dont know how they do it, but they do, and its an incredible cultural experience. ” For her inaugural year, artistic director Lili Rodriguez added big awards season contenders including “ Pain and Glory, See full article at Variety » 10 Best Documentaries of 2019, From ‘Apollo 11 to ‘One Child Nation (Photos) 10 December 2019 by Robert Abele Many documentaries suffer from a good-for-you coating, but the best ones have always been art in all its creativity, compassion and complexity, and 2019 was no exception. Whether personal or observed – straightforwardly told or formally experimental – the cream of this years bumper non-fiction crop dazzled with filmmaking brilliance. Runners-Up: 2019 also floored me with the dance majesty of “Cunningham, ” the gospel truth of “ Amazing Grace, ” the kids today of “Jawline, ” the pointed jocularity of “Hail Satan? ”, the nomadic poignance of “ Midnight Traveler, ” the testimonial heft of “ Leaving Neverland, ” the geopolitical smarts of “The Kingmaker, ” the lush positivity of “ The Biggest Little Farm, ” the soulful breadth of “The Apollo, ” and the patriotic power of “ Knock Down the House. ” 10. “The Island of Hungry Ghosts” On Christmas Island, land crabs migrate under protection, while behind the walls of an Australian detention facility nearby, captured asylum seekers open up to a caring counselor. Gabrielle Brady The Favourite leads the winners at the 2019 European Film Awards 08 December 2019 by Gary Collinson Flickeringmyth A year after its triumphs on the awards circuit, The Favourite was the toast of the town again last night in Berlin as the movie was named Best European Film and Best European Comedy at the 32nd annual European Film Awards, while Yorgos Lanthimos and Olivia Colman were named Best European Director and Best European Actress respectively. Other winners included Antonio Banderas (European Actor for Pedro Almodovars Pain and Glory) For Sama (European Documentary) Les Miserables (European Discovery) and Celine Sciamma (Best Screenwriter for Portrait of a Lady On Fire. Heres the full list of winners from the night… European Film “ The Favourite ” “ Les Miserables ” “ An Officer and a Spy ” “ Pain and Glory ” “ System Crasher ” “ The Traitor ” European Comedy “ Ditte & Louise ” “ The Favourite ” “Tel Aviv on Fire” European Discovery “ Aniara ” “ Atlantics ” “ Blind Spot ” “Irina” “ Les Miserables ” “ Ray & Liz ” European Documentary “For Sama” “ Honeyland ” “Putins Witnesses See full article at Flickeringmyth » European Film Awards: Live Stream the 2019 Ceremony 07 December 2019 by Ryan Lattanzio Now in their 32nd year, the European Film Awards unfold Saturday in Berlin, and heres where you can live-stream the ceremony. With some titles controversial ( Roman Polanski s “ An Officer and a Spy ”) and others at least a year old for those of us stateside (“ The Favourite ”) this years ceremony is sure to be a fun romp. Leading the pack is director “ An Officer and a Spy, ” the Dreyfus affair drama that picked up a top prize at Venice back in September, tied for four nominations alongside Pedro Almodóvar s self-reflective “ Pain and Glory, ” Marco Bellocchio s “ The Traitor, ” and Yorgos Lanthimos “Favourite. ” While released in the fall of 2018 in the United States, the latter films international release window made it eligible for the European Film Awards this year. “ The Favourite ” won star Olivia Colman, who plays a gout-stricken Queen Anne, a Best Actress Academy Award earlier 15 Films to See in December 02 December 2019 by Jordan Raup The Film Stage Its the final month of the year and theres no shortage of cinematic gifts. From long-awaited features from some of our favorite directors to genre-tinged delights to massive blockbusters, December is overflowing with films to see. We should note that Portrait of a Lady on Fire is an essential watch, but its only getting a one-week awards-qualifying run in NY/La, so well wait to feature it when it opens wide this February. Check out our monthly picks below. 15. Little Joe ( Jessica Hausner; Dec. 6) After landing on our radar with the formally thrilling, adventurous Amour Fou, Jessica Hausner finally returned with Little Joe. Starring Emily Beecham, Ben Whishaw, and Kerry Fox, the Cannes winner is set in the near-future where a plant is invented that begins to psychologically alter those who come in contact with it. This plays out in the story of a mother who See full article at The Film Stage » Academy Documentary Branch Faces Daunting 159 Non-Fiction Feature Oscar Submissions 12 November 2019 by Anne Thompson Thompson on Hollywood Two years ago, the Academy documentary branch had to grapple with a record 170 documentary feature submissions for the Best Documentary Feature Oscar. This year, its not so bad: only 159 were entered. The short list of 15 will be announced, along with eight others, on December 16. All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume, with more to come. Each voter is assigned a list of about 22-23 films to screen, so they all get covered. But its a burden to see them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to box-office hits that were made available earlier in the year such as Neons “ The Biggest Little Farm ” and “ Apollo 11, ” as well as high-profile titles from HBO (“ Diego Maradona ” and “ The Apollo ”) Netflix, See full article at Thompson on Hollywood » Two years ago, the Academy documentary branch had to grapple with a record 170 documentary feature submissions for the Best Documentary Feature Oscar. Give the advantage to box-office hits that were made available earlier in the year such as Neons “ The Biggest Little Farm ” and “ Apollo 11, ” as well as high-profile titles from HBO (“Diego Maradona” and “ The Apollo ”) Netflix, Oscars: 159 Documentary Features Submitted For 2019 Race by Erik Pedersen The Academy of Motion Picture Arts and Sciences has released its list of 159 documentary features that have been submitted for the 92 annual Academy Awards. See the full list below. A shortlist of 15 films will be announced on December 16. The Academy notes that several of the films have not had their required Los Angeles and New York qualifying releases yet. Submitted features must fulfill the theatrical release requirements and comply with all of the categorys other qualifying rules in order to advance in the voting process. Documentary features that have won a qualifying award at a competitive film festival or have been submitted in the International Feature Film category as their countrys official selection also are eligible in the category. Here is the alphabetical list: Advocate After Parkland The All-Americans Always in Season The Amazing Johnathan Documentary American Dharma American Factory American Relapse Angels Are Made of Light The Apollo Apollo 11 Aquarela Ask Dr. Oscars Documentary Race Welcomes 159 Films, From ‘Apollo 11 to ‘The Apollo A total of 159 documentary features have qualified in the Oscars Best Documentary Feature category, the Academy announced on Tuesday. Last year, 166 documentaries qualified. In 2017, a record 170 made the cut. All of the films are now available to members of the Documentary Branch to stream on the Academys secure members website. The films have been placed there over the last six months, with 23 added to the site in June, 24 in July, 26 in August, 19 in September and 62 in October and only five in November. Also Read. Maiden ' Star Tracy Edwards Kept Her Story 'Messy' to Serve the Next Generation of Women Athletes (Video) Each member is randomly assigned 20% of the films as mandatory viewing but is free to see any additional films beyond those that are assigned. A preliminary round of voting will produce a 15-film shortlist, with a second-round narrowing those 15 to the five nominees. This year is ‘The Traitor, ‘An Officer and a Spy, ‘Pain and Glory Lead European Film Awards Race 09 November 2019 by Leo Barraclough and Jamie Lang Marco Bellocchio s “ The Traitor, ” Roman Polanski s “ An Officer and a Spy ” and Pedro Almodóvar s “Pain and Glory” lead the race for the 32nd European Film Awards with four nominations apiece in the major categories. The awards, voted on by more than 3, 600 members of the European Film Academy, will be presented at the awards ceremony on Dec. 7 in Berlin. Céline Sciamma s “ Portrait of a Lady on Fire ” and Yorgos Lanthimos “ The Favourite ” followed with three nominations in the top categories each, while Ladj Ly s “ Les Misérables ” and Nora Fingscheidt s “ System Crasher ” were both short-listed in two major categories. “ The Favourite ” picked up an additional nomination in the comedy category, while “ Les Misérables ” received a further nomination in the Discovery section for newcomers. A single nomination each went to “ A White, White Day, ” “And Then We Danced, ” “Beanpole, ” “Gundermann” and “Queen of Hearts. ” Competing for best documentary are “For Sama, Roman Polanskis ‘An Officer and a Spy Leads 2019 European Film Award Nominations The movie awards season is full speed ahead, and today, the European Film Awards unveiled their nominations for the best films of 2019. Leading the pack is director Roman Polanski s “ An Officer and a Spy, ” the Dreyfus affair drama that picked up a top prize at Venice back in September, tied for four nominations alongside Pedro Almodóvar s self-reflective “Pain and Glory, ” Marco Bellocchio s “ The Traitor, ” and Yorgos Lanthimos “ The Favourite. “ The Favourite ” won star Olivia Colman, who plays a gout-stricken Queen Anne, a Best Actress Academy Award earlier this year — the movies only win from 10 nominations. Also picking up heat among the nominees is Céline Sciamma s “ Portrait of a Lady on Fire, ” which Neon opens stateside in December. Sciamma Roman Polanski Leads European Film Awards Nominations for ‘An Officer and a Spy Only a few days after Roman Polanski was accused of a 1975 rape by a French actress, the director has become one of the leading nominees for the 2019 European Film Awards for his film “An Officer and a Spy. ” The drama about the Dreyfus affair in 19th century France landed four nominations, tying it with Yorgos Lanthimos “ The Favourite, ” Pedro Almodovars “Pain and Glory, ” and Marco Bellocchio s “ The Traitor ” for the most Efa nominations. Those four films were all nominated in the European Film category, along with “ Les Miserables ” and “ System Crasher. ” Polanski was also nominated for European director, along with Almodovar, Bellocchio, Lanthimos and Celine Sciamma for “ Portrait of a Lady on Fire. ” “An Officer and a Spy” also received nominations for lead actor Jean Dujardin and for its screenplay by Polanski and Robert Harris. Also Read: An Officer and a Spy' Review: Roman Polanski Is No Emile ‘Pain And Glory, ‘An Officer And A Spy, ‘The Traitor lead 2019 European Film Awards nominations by 1101184¦Orlando Parfitt¦38¦ ScreenDaily Yorgos Lanthimos The Favourite and Céline Sciamma s Portrait Of A Lady On Fire are just behind with three nominations. The Nominations for the 2019 European Film Academy Awards were revealed this afternoon at the Seville European Film Festival, with Pedro Almodovars Pain And Glory, Roman Polanski s An Officer And A Spy and Marco Bellocchio s The Traitor leading the way with four nominations each. The trio are all up for best European film alongside Yorgos Lanthimos The Favourite, just behind with three nominations including best actress for Olivia Colman, and Ladj Ly s Les Misérables, with two nominations. See full article at ScreenDaily » ‘American Factory, ‘Apollo 11 Top Cinema Eye Honors Documentary Nominations 07 November 2019 “ American Factory ” and “ Apollo 11 ” led all films in nominations for the 13th annual Cinema Eye Honors, a New York-based awards show created to pay tribute to all facets of nonfiction filmmaking. The two films each received five nominations, including Outstanding Nonfiction Feature, from the Cinema Eye jury of festival programmers, as well as votes from this years eligible filmmakers. The full slate of nominees in that category is a solid lineup of the years most acclaimed docs. In addition to Steven Bognar and Julia Reichert s “ American Factory ” and Todd Douglas Miller s “ Apollo 11, ” it includes Waad al-Kateab and Edward Watts “ For Sama, ” Ljubomir Stefanov and Tamara Kotevska s “ Honeyland, ” Luke Lorentzen s “ Midnight Family ” and Nanfu Wang and Jialing Zhang s “ One Child Nation. ” Also Read: 12 Documentaries to Check Out This Fall, Including Films by Bruce Springsteen and Agnès Varda (Photos) “ American Factory, ” “ Apollo 11 Official Us Trailer for 'The Disappearance of My Mother' Fashion Doc 01 November 2019 by Alex Billington "What is the point of continuing to sell our bodies without any quality or talent. Kino Lorber has debuted a new official Us trailer for the indie documentary titled The Disappearance of My Mother, which first premiered at the Sundance Film Festival earlier this year. We originally featured a trailer in January before the festival, now we have another trailer for the film's opening in December. An iconic fashion model in the 1960s, Benedetta Barzini became a muse to Warhol, Dali, Penn and Avedon. As a radical feminist in the 1970s, she fought for the rights and emancipation of women. But at the age of 75, she is fed up with all the roles that life has imposed upon her and decides to leave everything and everybody behind, to disappear to a place as far as possible from the gaze of the camera. Only her son Beniamino, the director, is permitted to witness her journey. See full article at » Beyoncés ‘Homecoming Leads Cinema Eye Honors 2020 Nominations 24 October 2019 For twelve years now, the Cinema Eye Honors selection committees, comprised of filmmakers from the documentary community, help to whittle down a curated list of must-see non-fiction film and television. At the annual Cinema Eye brunch, Cinema Eye Honors founding director A. J. Schnack and his team unveiled the first in a series of awards announcements, including nominees for two new awards: Outstanding Achievement for a Broadcast Film or Series in Editing and Cinematography. Netflix, 30 for 30, Hulu and Showtime Documentary Films hosted the lunch at Tartine Bianco in Los Angeles, attended by many filmmakers, including many of this years non-fiction contenders: Nanfu Wang + Jialing Zhang, Todd Douglas Miller, Petra Costa, Steven Bognar + Julia Reichert, Lauren Greenfield, and Feras Fayyad. Beyoncé Knowles-Carters “ Homecoming ” (Netflix) led the Broadcast honorees with three nominations: Broadcast Film, Broadcast Editing and Broadcast Cinematography. Other multiple nominees included National Geographic s “Apollo: Mission to the Moon, See full article at Indiewire », Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

Recensione di Raffaella Giancristofaro venerdì 4 ottobre 2019      Durante il casting per un film a lei dedicato, alcune modelle cercano di entrare nel personaggio della top model Benedetta Barzini, la prima modella italiana a comparire nel 1963 su "Vogue" America per volere della leggendaria fashion editor Diana Vreeland (immortalata nel documentario di Lisa Ammordino. Ma quest'inizio in chiave fiction, con luce artefatta da photoshooting è un depistaggio: qualcosa che, per contrasto, faccia risaltare la reale natura di Barzini, imponendosi con forza su quella bidimensionale, amplificata dalle passerelle, dalle cover di riviste come "Harper's Bazaar" agli altri media. "Ho passato la vita a filmare e fotografare mia madre, senza sapere perché. È stata la mia prima modella, la mia preferita. Quando mi ha detto di aver deciso di andarsene e di non tornare mai più, ho capito che non ero pronto a lasciarla andare. Beniamino Barrese Come esergo al suo lungometraggio d'esordio, selezionato dal Sundance 2019 nella sezione World Cinema Documentary, Beniamino Barrese (1986) figlio della fotomodella di fama mondiale nata nel 1943, pone questa dichiarazione per spazzare via ogni equivoco: La scomparsa di mia madre non vuole essere biopic di fiction né documentario informativo, celebrativo o testamentario (alla Franca: Chaos and Creation di Francesco Carrozzini. Anzi, è quasi chirurgico nel non dare coordinate su famiglie e parentele, e sbrigativo nel sintetizzare il periodo newyorkese trascorso a braccetto con star dell'arte e del jet set tanto quanto nel motivare una recente sessione di lavoro alla London Fashion Week. È molto concentrato sulla ricerca di riappropriazione di un'immagine nella sua autenticità, sul tentativo di sottrarre un viso, un corpo, allo sguardo del sistema moda e alla sua rappresentazione convenzionale per restituirlo ai momenti più ordinari, agli atteggiamenti meno glamour. Al tempo stesso è il sogno di comporre e trattenere, da figlio, l'essenza di una "super madre" per di più riluttante, per non dire recalcitrante, ad essere ripresa (anche se come attrice è comparsa come madre di Luca Marinelli in Tutti i santi giorni di Paolo Virzì. Ad essere seguita nella sua quotidianità post hippie (che qui comprende anche una visita pseudo estemporanea della collega e coetanea Lauren Hutton) vissuta però con la stessa ieratica nonchalance di quando - cigno, donna aliena, scultura di Giacometti - posava davanti agli obbiettivi di noti fotografi. Mentre Edipo impazza e riecheggia quasi ad ogni inquadratura, il regista - ma meglio sarebbe dire i registi, visto che ciò che deve stare in campo è frutto di una negoziazione continua tra madre e figlio - rende conto della loro relazione fusionale ma anche di un percorso emblematico di emancipazione: l'evoluzione di una donna che si è sottratta consapevolmente allo stesso sistema capitalista di cui è stata meccanismo per oltre un decennio. E che poi da giornalista, docente di antropologia della moda, femminista (recuperare l'intervista in  Lievito madre  di Concita De Gregorio ed Esmeralda Calabria per approfondire le sue posizioni) ne ha smontato il linguaggio e la violenza. Se al centro del discorso, oltre al desiderio di fuga e anonimato della protagonista, c'è un conflitto sui limiti del rappresentabile, non c'è dubbio che un elemento invisibile risalti con forza: l'amore incondizionato e parossistico tra i due. Nell'ossessività connaturata a questo corpo a corpo, letteralmente esclusivo, tra il giovane filmmaker e la ex modella, che oggi sono agli antipodi quanto a desiderio di visibilità, il ritratto di donna anticonvenzionale, che qui gioca sempre a depotenziare, demistificare se stessa ( la mia faccia non è in vendita" o "la bellezza non è un merito" dice preparandosi a ricevere un'onorificenza ufficiale) trova una propria forma anche nella scelta di usare il più possibile la luce naturale e nell'armonia tra materiali e supporti diversi: il digitale della camera a mano, la pellicola a 16 e 35mm degli anni del successo e della prima maternità, gli home movies video sgranati di Barrese ragazzino, gli inserti televisivi. Che il desiderio di scomparire sia effettivo o simbolico non è poi così rilevante: resta un insistente, liberatorio appello a rivendicare la propria indipendenza e individualità, che si muove tra filtratissimi cenni biografici, gesti prosaici in spregio all'ossessione estetica e rari, abbacinanti lampi di tenerezza e gioco.  Sei d'accordo con Raffaella Giancristofaro? Scrivi a Raffaella Giancristofaro Il tuo commento è stato registrato. Convalida adesso il tuo inserimento. Ti abbiamo appena inviato un messaggio al tuo indirizzo di posta elettronica. Accedi alla tua posta e fai click sul link per convalidare. Chiudi Il tuo commento è stato registrato. Grazie. lunedì 30 settembre 2019 Beniamino Barrese racconta sua madre, Benedetta Barzini, top model negli anni 60, musa di fotografi e artisti, da Irving Penn a Richard Avedon, da Andy Warhol a Salvador Dalì. Chiudi.

I saw the movie, Never Look Away, by chance. The synopsis said it was about a painter who fell in love with a girl whose father disaproved. That sounded too banal and boring. But as there were no other movies at that particular time slot that interested me at the #CINEUROPA32 Film Fest in Santiago de Compostela, I resigned myself, made the long line outside the theatre, and went in. Allh isbark akhalti wallah hta bkitini ob9at fiya hta😪😪😭😭 lbniya mskina allah ider itawel lkhiyr yarab. Which max richter song from the leftovers please. La mia bisnonna era UGUALE. Loro due sono i modelli che seguo nella vita.